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从集唐下场诗看传奇作家的唐诗接受

本文以明中期至清初传奇为范围,来研究看传奇作家的唐诗接受程度, 明中期始,传奇剧本中逐渐兴起使用集唐下场诗的写作风潮,一直到清初仍有延续。这为研究传奇作家的唐诗接受情况提供了重要的资料库。从集唐下场诗的引诗情况来看,不同诗人诗作被引用频率具有明显差异,呈现出受唐诗流传情况、诗作风格和剧本选诗要求等主客观因素影响。非唐人诗句的引用,反映了传奇作家在唐诗记忆上的出错及唐诗传播中存在的讹误现象。引诗需要贴合剧情,因而传奇作家需要从意象和字面义等角度挖掘诗句的意义可能,并关注诗句内部情蕴与戏曲语境的共通。这也促进了冷门作品被”重新发现”

This article examines the acceptance of Tang poetry by legendary writers from the middle of the Ming Dynasty to the early Qing Dynasty. This provides an important database for studying the acceptance of Tang poetry by legendary writers. The quotation frequency of poems from different poets differs significantly, which is influenced by the circulation of Tang poems, the style of poems and the requirements of script selection. The quotation of non-Tang poems reflects the mistakes made by legendary writers in the memory of Tang poems and the phenomenon of falsehoods in the dissemination of Tang poems. In order to quote a poem, the legendary writers need to find out the meaning of the poem from the perspective of imagery and literal meaning, as well as the common meaning of the poem and the context of the play. This also promotes the “rediscovery” of unpopular works.

这是一篇主要讲述供给侧,结构性改革,绿色农业的文献, 主要参考文献为如下几篇

  • [1]《牡丹亭》集句与汤显祖的唐诗阅读——基于文本文献的阅读史研究[J]. 叶晔. 文学评论. 2019(04)
  • [2]徘徊在明清诗歌创作的边缘——论明清传奇下场诗之集唐现象[J]. 任孝温. 苏州大学学报(哲学社会科学版). 2014(01)
  • [3]明代戏剧中的“集唐”现象与唐诗传播[J]. 戴健. 江海学刊. 2011(04)

该篇关于古代文学的文献, 内容目录如下

一、引诗频率差异及原因分析
二、非唐诗引用中的唐诗接受讹误
三、“诗”“剧”配合下的唐诗接受与再应用

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